Studio 360 with Kurt AndersenAuthor: PRI
12 Dec 2017

Studio 360 with Kurt Andersen

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The Peabody Award-winning Studio 360 with Kurt Andersen, from PRI, is a smart and surprising guide to what's happening in pop culture and the arts. Each week, Kurt introduces the people who are creating and shaping our culture. Life is busy – so let Studio 360 steer you to the must-see movie this weekend, the next book for your nightstand, or the song that will change your life. Produced in association with Slate.

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    Gay theater, then and now.

    New York Times theater critic Jesse Green and playwright Paul Rudnick join Kurt to discuss groundbreaking gay theater over the past 50 years. How will plays like “Angels in America” and “Torch Song Trilogy,” which are being revived, hold up for today’s audiences, and what’s the future hold for plays about the LBGT community? Plus, Barry Blitt, the illustrator whose work is frequently featured on the cover of The New Yorker, gives Kurt a tour of his work studio -- and some insights into how he creates his brilliant and hilarious illustrations.

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  • Posted on 07 Dec 2017

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    Studio360 | New Yorker Cover Illustrator Barry Blitt

    Illustrator and political cartoonist Barry Blitt is best known for his New Yorker covers. Over the past three decades, he’s paired his signature ink and watercolors with his dry wit. This past fall he published a beautiful coffee-table book that’s a retrospective of his most memorable work. 
    Blitt invited Studio 360 to meet him at his home in Connecticut—which happens to be the former home of Arthur Miller—for a walk-though of his home studio, creative process, and some of his most iconic illustrations. “What you're looking for is life in the line” he says about finding his finished product, “sometimes you'll do a drawing that doesn't look enough like Hillary and you draw it a second time the second time it looks more like her but the first time there was some magic or discovery in the actual line work and it's better drawing and that's the one you use.”

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  • Posted on 01 Dec 2017

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    American Icons: The Disney Parks

    Generations of Americans have grown up with Walt Disney shaping their imaginations. In 1955, Disney mixed up some fairy tales, a few historical facts, and a dream of the future to create an alternate universe. Not just a place for fun, but a scale model of a perfect world. “Everything that you could imagine is there,” says one young visitor. “It's like living in a fantasy book.” And not just for kids: one-third of Walt Disney World’s visitors are adults who go without children. Visiting the parks, according to actor Tom Hanks, is like a pilgrimage—the pursuit of happiness turned into a religion.

    Futurist Cory Doctorow explains the genius of Disney World, while novelist Carl Hiaasen even hates the water there. Kurt tours Disneyland with a second-generation “imagineer” whose dead mother haunts the Haunted Mansion. We’ll meet a former Snow White and the man who married Prince Charming—Disney, he says, is “the gayest place on Earth. It’s where happy lives.”

    (Originally aired October 18, 2013)

    Special thanks to Julia Lowrie Henderson, Shannon Geis, Alex Gallafent, Nic Sammond, Steve Watts, Angela Bliss, Todd Heiden, Shannon Swanson, Katie Cooper, Nick White, Marie Fabian, Posey Gruener, Jason Margolis, Chris DeAngelis, Jenelle Pifer, Debi Ghose, Maneesh Agrawala, and Tony DeRose.

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  • Posted on 30 Nov 2017

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    American Tricon

    This week, a triple header from the series American Icons, which focuses on works of art that changed the way we think about America.
    First is Nathaniel Hawthorne’s “Scarlet Letter”: his 1850 novel about a woman being shamed for having an affair. Anna Sale produced this Icon segment in 2013, before starting her hit podcast Death, Sex and Money. Just four years later, her interpretation of the classic novel resonates very differently in 2017, as the country grapples with how to define consent and sexual misconduct.

    Cole Porter’s “Anything Goes,” on the other hand, celebrates the opposite tendency in American culture: the devil-may-care slide towards looser morals. And in “Untitled Film Stills,” Cindy Sherman captured the way that being a woman—or maybe being a person—is just playing a role.






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  • Posted on 22 Nov 2017

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    I'm the Boss, Baby

    Alec Baldwin, who these days may be best known for his depictions of President Trump on “Saturday Night Live,” joins Kurt to discuss how he has played many villains in his career, and their points of view might best be summarized by the words of the “Boss Baby” character he voices: “I poop. They wipe. I’m the boss.” Filmmaker Taika Waititi, who is best known for his low-budget comedies like “Eagle vs. Shark,”  talks about how he managed to inject his dry wit, and knack for improvisation into his  big-budget superhero movie,  “Thor: Ragnarok.” And Eve Ewing joins Kurt to talk about the many hats she wears: poet, sociologist, artist and Twitter star.

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  • Posted on 16 Nov 2017

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