Anna Kulachek 1/1
Ukrainian designer Anna Kulachek works and lives in Moscow. She teaches graphic design at the Higher School of Economics and is art director at the Strelka Institute. Earlier she worked for the communication research centre Fabrica in Italy and Design Depot in Moscow.
We talk with Anna about why she decided to move to Moscow to study graphic design. We wonder what the differences are between graphic design from the West and the East (Russia and Ukraine). Anna explains how the Cyrillic writing system is very much influencing the way she designs. We end the interview with the question if she still has a dream job, something that she would really like to do in the future. Recorded at the Serebro Nebora 2015 Conference in Moscow, Russia.
- Anna’s website ::
- Anna’s Tumbler page ::
- Strelka Institute ::
- Anna’s poster designs for Strelka ::
- Higher School of Economics, Moscow ::
Posted on 05 Feb 2017
Ilya Ruderman 1/1
Type and graphic designer and teacher Ilya Ruderman lives and works in Moscow. He is a graduate of the Moscow State University of the Printing Arts. Later he received a MA degree from the Type & Media course at the Royal Academy of Art in The Hague. After returning to Moscow he started teaching type and typography at the British Higher School of Art and Design. For several years he was also an art-director, when In 2014 he founded CSTM Fonts with Yury Ostromentsky.
Ilya talks about how Alexander Tarbeev introduced him to type and typography. And about his first type design project, back in 1999. After his studies Ilya moved back to Moscow. We talk about the different projects that he did over the years. How he has been working as a graphic designer during the day and as a type designer during the night. We also wonder how he became, for western type foundries, the go-to-guy for the cyrillic extension to a certain type family. And because it’s one of his favorite questions on Typeradio, we ask Ilya about his drinking habits. Recorded at the Serebro Nebora 2015 Conference in Moscow, Russia.
- Ilya’s videos ::
- Type Today ::
- Type Thursday interview ::
- Permian typeface ::
- Typejournal interview ::
Posted on 26 Sep 2016
Richard Hollis 1/1
Born in England, Richard Hollis has been a freelance graphic designer since 1958. He has worked as a printer, art editor, production manager, writer, teacher and lecturer. Hollis taught at various London art schools, as well as co-founded, with Norman Potter, the Graphic Design Department at the West of England College of Art in Bristol in 1964. His book design includes John Berger’s ‘Ways of Seeing’, and a large body of work for the Whitechapel Art Gallery. He has also made a significant contribution to the history of graphic design in through his books including ‘Graphic Design: A Concise History’.
In the interview with Richard Hollis we talk about his personal values. And how your own values are expressed through the way you work and the way you behave towards the people you’re working with or working for. Richard explains how he hardly ever changes typefaces. He always uses the same typefaces in making catalogues and books. We wonder, apart from the kind of job or the topics that he’s designing for, if his political views can be seen in his design work. We also talk about his fascination for Swiss Graphic Design and he explains why he has written a book about the topic: ‘Swiss Graphic Design: The Origins and Growth of an International Style’. We end the interview with how a painting of two tortoises, that Richard has seen at the Mauritshuis, is related to writing. Recorded at the Karel Martens Symposium at KABK, The Hague, the Netherlands.
- Richard Hollis ::
- Reputations Eye Magazine article ::
- Eye Magazine articles by Richard Hollis ::
- Robin Fior obituary by Richard Hollis ::
- Richard Hollis ICA London presentation ::
- Richard Hollis on Emil Ruder ::
Posted on 22 Dec 2015
Dan Rhatigan 1/1
Dan Rhatigan is a type director at Monotype, based in New York. He works on custom type development projects and consults on typographic issues with customers, and from time to time he gives talks about type and typography. Prior to Monotype Dan worked as a publishing technologies analyst, as a designer in New York, and with numerous freelance clients. Over the years, he has also taught graphic design, typography, and branding.
We talk with Dan Rhatigan about his role and tale as a type director at Monotype. We’re curious if they get a lot of submissions and if Dan also judges these himself. Dan also gives us his view on the major developments in the near future for typography and type design. We wonder how he looks upon the lack of knowledge some users have working with OpenType. He explains how he is regularly surprised how little the world outside of type design really understands about the sophistication of the tools that are being prepared for them. And of course we talk about Dan’s typographic tattoos and wonder if he has plans for a new one. Recorded at the Robothon 2015 Conference in The Hague, the Netherlands.
- Dan Rhatigan at Monotype ::
- Personal website ::
- Interview Eye magazine ::
- Interview It’s Nice That ::
- Dan on the Rhyman Eco font ::
Posted on 04 Dec 2015
Ian Swift 1/1
Ian Swift aka Swifty is a dedicated graphic artist. Since embarking on his career at The Face magazine in 1986 he has pursued an individual course which has led him to specialise in the music industry and youth culture aesthetics. Equally at home with a club flyer or a complex movie title sequence, he has successfully run his own practice ‘Swifty – Grafix’ for over two decades. His work has featured in dozens of books and magazines and in 1997 he launched ‘Typomatic’, UK’s first independent font foundry. While his reputation and working life is rooted in the typo-grafix world recent exhibitions reveal a shift in Swift’s focus towards a body of artworks with a more exploratory and personal dimension.
Ian Swift talks about his upbringing and how he wanted to be in the army when he was younger. He explains what triggered him to go to art school and become a graphic designer. And how he got in contact with Neville Brody, while in his third year at Manchester Polytechnic. Later on he worked for Straight No Chaser magazine. We wonder if he thinks this is where he developed his own visual language. Ian explains how the magazine became a vehicle for his font design as well. Furthermore we talk about his attitude towards licensing fonts, ‘The only thing I can actually call my own are my fonts.’ Recorded via Skype in Rotterdam, the Netherlands. (We apologize for the audio quality)
- Swifty ::
- Type-O-Matic ::
- Creative Bloq interview ::
- Straight No Chaser blog ::
- Swifty’s art ::
- Swifty exhibit at Design Manchester ::
Posted on 13 Oct 2015
26 Feb 2017
Connect with Us