Updates, Interviews and More - J.C. HutchinsAuthor: J.C. Hutchins
15 Aug 2018

Updates, Interviews and More - J.C. Hutchins

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Transmedia storyteller & novelist J.C. Hutchins chats with creatives, and provides updates about his own creative work, in this podcast.

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    A Lesson from Richard Simmons

    I finished listening to Missing Richard Simmons yesterday. It was pretty good. Check it out.

    Back when I was a newspaper reporter, I interviewed Richard Simmons. Predictably, he was a hoot. During the interview, I asked him for, like, "5 tips for living healthy" or something like that for a sidebar. One of them stuck with me:

    "Don't walk among your ruins," he warned. Meaning, don't ruminate over past failures. Experience them, acknowledge them, learn from them, and then move on. Don't stay there. Take the lesson and mosey. Don't stay trapped in the past.

    The older I get, the more I find myself wanting to walk among my ruins. I often think of Simmons' advice.

    You know what? It works.


  • Posted on 23 Mar 2017

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    All Attitude.

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  • Posted on 18 Mar 2017

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    Pass the Chips

    My new personal mantra when it comes to writing:

    Potato chips, not pearls.

    Meaning: Nearly everything I write will be consumed quickly and compulsively. It's disposable. I must move fast to keep pace. Be less precious. Make it peppy, hit my goal, drop the mic and GTFO. Do it all over again.

    I'm realizing the greatest sin I've probably committed as a writer—for both my non-fiction and fiction work—is obsessing about craft. Only I (and wanker writers like me) see the seams, the stitch-marks, the misplaced commas.

    Nearly everyone else just wants yummy potato chips. 


  • Posted on 17 Mar 2017

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    Resistance Radio

    WOW! A special package was delivered to my home last night, sent from an ALTERNATE 1960s. In this alt-world, the fascists won the war, and America ain't what it oughta be. (Sound familiar?)

    This is brilliant work from my dear friends at Campfire. It's a bona fide artifact from another world. It looks and feels absolutely authentic. And there's a story here—a "tangible narrative," as I call this stuff.

    Take a peek at these unboxing pictures. See the story. On the surface, this looks like something sent from a governmental agency. But a member of the Resistance has slipped a subversive record into the sleeve of an "approved music" album. They've given instructions on how to play the record, should you not have an record player. And there's more, lurking in puzzles hiding in plain sight.

    It's a meticulously, lovingly crafted piece of fiction. And it's a love letter to "The Man in the High Castle," the TV show it elegantly promotes. So is the incredible Resistance Radio website, also created by Campfire. It's a must-visit: http://resistanceradio.com .

    What a terrific experience. In particular, the surprise and delight of finding a "banned" record inside a "legit" record sleeve was a wonderful moment I'll remember for a long time.

     

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  • Posted on 08 Mar 2017

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    'I, Me, Mine' Journalism

    So. Three paragraphs into this 2,500-word feature story about an icon in the video games biz, and the reporter injects himself into the story. A brief skimming of the piece suggests he will do this again and again and again.

    Video game journalists—and indeed, many online writers who never went to J-school—do this all the time. It's like catnip. They can't help themselves. They cannot fathom the concept that the narrative is not, in fact, about them.

    Yes, I'm grousing about this again. (I whine about this often on Facebook.) Maybe it's an age thing; a practice that undisciplined young writers, overseen by undisciplined editors, can't help but do. Maybe it's a generational narrative trend. Maybe it's a games-industry thing. Maybe it's a lack of formal editorial training. (Or alternately, a kind of formal editorial training that I deeply disapprove of.)

    I'm totally get-off-my-lawning here, I know. I remind myself that my thinking must represent the ossified, arthritic perspective of someone who learned journalism before the Internet. (See? Right there. I capitalized Internet, per the AP Stylebook circa 1998.) I must be out of touch. I'm a tone-deaf geezer.

    Unless I'm not. I flail and fail at most things I do. I'm not the sharpest tool in the shed. But I know good storytelling—non-fiction narrative in particular. It's the only thing I've ever been really good at. I know how that house is built. 

    And where I come from, good journalists don't talk about themselves in their stories. They are observers. Facilitators. They are the radio through which the song is played. They are never the stars.


  • Posted on 16 Feb 2017

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